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Sacred Geometry is the blueprint of Creation and the genesis of all form. It is an ancient science that explores and explains the energy patterns that create and unify all things and reveals the precise way that the energy of Creation organizes itself. On every scale, every natural pattern of growth or movement conforms inevitably to one or more geometric shapes. As you enter the world of Sacred Geometry you begin to see as never before the wonderfully patterned beauty of Creation.


The molecules of our DNA, the cornea of our eye, snow flakes, pine cones, flower petals, diamond crystals, the branching of trees, a nautilus shell, the star we spin around, the galaxy we spiral within, the air we breathe, and all life forms as we know them emerge out of timeless geometric codes. Viewing and contemplating these codes allow us to gaze directly at the lines on the face of deep wisdom and offers up a glimpse into the inner workings of the Universal Mind and the Universe itself.

The ancients believed that the experience of Sacred Geometry was essential to the education of the soul. They knew that these patterns and codes were symbolic of our own inner realm and the subtle structure of awareness. To them the “sacred” had particular significance involving consciousness and the profound mystery of awareness ….. the ultimate sacred wonder. Sacred Geometry takes on another whole level of significance when grounded in the experience of self-awareness.


The Platonic Solids

Tetrahedron Hexahedron Octahedron IcosahedronDodecahedron

As far back as Greek Mystery schools 2500 years ago, we as a species were taught that there are five perfect 3-dimensional forms -The tetrahedron, hexahedron, octahedron, dodecahedron, and icosahedron. Collectively these are known as The Platonic Solids -- and are the foundation of everything in the physical world. Modern scholars ridiculed this idea until the 1980's, when Professor Robert Moon at the University of Chicago demonstrated that the entire Periodic Table of Elements -- literally everything in the physical world -- is based on these same five forms! In fact, throughout modern Physics, Chemistry, and Biology, the sacred geometric patterns of creation are being rediscovered, but often without the greater context of spiritual understanding which protects against their misuse. One of our intentions with lightSource, is to provide a bridge to an intuitive spiritual understanding that is in alignment with the appropriate use of this knowledge.

Sacred Geometry
Geometric shapes actually represent the manifest stages of 'becoming'. To see and work with unity and wholeness in geometry can help abolish our false notion of separateness from nature and from each other.Through Sacred Geometry we can discover the inherent proportion, balance and harmony that exists in any situation, all manifest reality and even the circumstances of our day-to-day life.
It was Marcel Proust who said, “ The real voyage of discovery consists not in seeking new lands but seeing with new eyes.”

The Energy in Action

Leonardo Fibonacci was an Italian mathematician who introduced to Europe and popularized the Hindu-Arabic number system (also called the decimal system). He contributed greatly to number theory, and during his life published many important texts. He is also known for the Fibonacci Series, a numerical series found frequently in the natural world.

One of the most profound and significant activities encompassed within sacred geometry and lightSource is the 'Golden Mean Spiral', derived by using the 'Golden Ratio'.

The Fibonacci sequence is generated by adding the previous two numbers in the list together to form the next and so on and so on.(1, 1, 2, 3, 5, 8, 13, 21, 34, 55...). Divide any number in the Fibonacci sequence by the one before it, for example 55/34, or 21/13, and the answer is always close to 1.61803. This is known as the Golden Ratio.

Sacred Geometry - Enlightened AwarenessThe Golden Mean was used in the design of sacred buildings in ancient architecture to produce spiritual energy that facilitated connectivity with spiritual realms through prayer. Our reality is very structured, and indeed Life is even more structured.This is reflected though Nature in the form of geometry. Geometry is the very basis of our reality, and hence we live in a coherent world governed by unseen laws. These are always manifested in ourworld. The Golden Mean governs the proportion of our world and it can be found even in the most seemingly proportion-less (active) living forms.


Clear examples of Sacred Geometry (and Golden Mean geometry) in Nature and matter:

All types of crystals, natural and cultured. The hexagonal geometry of snowflakes. Creatures exhibiting logarithmic spiral patterns: e.g. snails and various shell fish. Birds and flying insects, exhibiting clear Golden Mean proportions in bodies & wings. The way in which lightning forms branches. The way in which rivers branch. The geometric molecular and atomic patterns that all solid metals exhibit. The way in which a tree spans out so that all its branches receive sunlight Another, perhaps less obvious but most significant example of this special ratio can be found in Deoxyribonucleic Acid (DNA) - the foundation and guiding mechanism of all living organisms.
Sacred Geometry - Enlightened Awareness
The understanding of geometry as an underlying part of our existence is nothing new, and in fact the Golden Mean and other forms of geometry can be seen imbedded in many of the ancient monuments that still exist today. The Great Pyramid (the oldest of these structures) at Giza is a good example of this.The height of this pyramid is in Phi ratio (e.g. the Golden Mean Ratio) to its base.In fact, the geometry in this particular structure is far more accurate than that found in any of today's modern buildings.
This explains why popular among spiritually significant shapes are pyramids and hemispheres (e.g. the domes, that are the basis of religious buildings, be it a mosque, a church or a synagogue). These particular shapes are energy emitters; they are shapes that produce a type of penetrating carrier wave which Chaumery and De Belizal named negative green (which acts as carrier-like radio waves that carry sound information).The vibrational quality of the Golden Mean gives it very strong communication properties, which facilitate resonance with higher realms in prayer.
We live in the 3rd dimension, or the 'Plane of Manifestation'. The Golden Mean is an intra-dimensional doorway though which matter emerges into manifest 3-D reality. For example, when a star is born it follows specific number sequences or universal rules, the Sacred Geometry - Enlightened Awarenesssame rules of life in the expansion process. Then we see the light!

Thus the Golden Mean is the "fingerprint" of creation. When we re-create this moving and always expanding sequence, we have in effect - 'the exact movement of creation in the expansion process'. When lightSource is playing, one is encountering and literally being bathed in this 'Golden Ratio' creation activity...undeniably one of the most harmonious, balancing experiences one can interact with.
The Magic of Geometry
Bio-Geometry is a science that deals with the effect of geometrical shapes on life functions and the design of shapes that interact with earth's energy fields, to produce special pre-calculated effects on biological systems.
It was developed by Dr lbraham F. Karim D.Sc. in Cairo, Egypt, who has been conducting research in these disciplines since 1968. The tools necessary for the measurement of the energy of geometrical shapes are based on the science of Microvibrational Physics, or Physical Radiesthesia, as it was named by the French radiesthesists, Chaumery and De Belizal around the years 1930-1940, (and later developed by Dr. Karim).
Research in Bio-Geometry was, and still is, mainly dedicated to the development of a new form of architecture that would enhance the human biological system and give a new meaning to the concept of Home.
To upgrade the energy quality of existing homes so as to cancel the potentially harmful effects of unchecked energy fields due to the architectural design, furniture layout, electrical wiring and modem appliances, specially designed decorative elements are strategically placed to neutralize negative energy and add a positive quality to it.
Bio-Geometrical shapes, when designed or engraved on jewelry, have shown positive effects on the body's energy field, and reduce the potential health hazards caused by cellular phones, computers and other modern appliances.
In many ways the science and metaphysical discipline of Bio-Geometry provides one of the underpinnings to support what many know today as Feng Shui.

Higher Harmonics Within The Golden Mean:

The Magic of Geometry and Color
The understanding of geometry as an underlying part of our existence is nothing new and in fact, the Golden Mean and other forms of geometry can be seen imbedded in many of the ancient monuments that still exist today.The Great Pyramid at Giza (the oldest of these structures) is an example of this.The height of this pyramid is in Phi ratio to its base.In fact, the geometry in this particular structure is far more accurate than any found in today's modern building
These particular shapes are energy emitters; they are shapes that produce a type of penetrating carrier wave which Chaumery and De Belizal named 'negative green', which acts as carrier-like radio waves that carry sound information.The vibrational quality of the negative green gives it very strong communication properties, which facilitate resonance with higher realms in prayer. This explains why popular among spiritually significant shapes are pyramids and hemispheres (e.g. the domes, that are the basis of religious buildings, be it a mosque, a church or a synagogue).
A revival of the ancient design criteria, or canons, in moderm architecture was attempted by the Swiss pioneer of the modem architecture Le Corbusier, with his "modular" system which comprised two scales of dimensions based on the Golden Ratio. The Russian researcher, Scariatin, who wrote under the pseudonym of Enel and published his first books on radiesthesia in Egypt in the forties, was the first to discover that one aspect of the negative green vibrational quality was an integral part of spiritual energy fields and increased with the spiritual evolution of the person.
Inspired by Scariatin's work, Dr. lbraham F. Karim has done extensive research and found that Bio-Geometrical shapes have three primary vibrational qualities: (1) negative green, (2) a higher harmonic of ultra-violet, and (3) a higher harmonic of gold. Only shapes which produce energy fields with all three components are Bio-Geometrical.


LightSource produces and emits all three components: negative green, a higher harmonic of ultra-violet, and a higher harmonic of gold.

Sacred Geometry - Enlightened Awareness Negative green turned out to have other properties, however, which make it potentially very harmful under certain circumstances of continuous exposure. Dr. Karim has done considerable research into this type of energy, and the different components have been identified. The most important component in spiritual energy fields is a specific type of the negative green. (This is a vibrational quality that is in resonance with the grey between white and black). It is at the core of all energy centres in the body and power spots in nature. Pyramids and hemispheres produce this vibration along their central axis. In spiritual energy fields, however, only the horizontal component of this energy is found. The vertical component, which is the harmful part of this energy, is cancelled.









Within all the 13 sacred shapes of lightSource, only the horizontal component of negative green is present when the shapes are active.

The second component is a higher harmonic of ultraviolet, an invisible light that is the environment of angels and other light beings. It is a very purifying and relaxing vibration, which balances overactive organ functions and has a calming effect on the nervous system.

The higher harmonic of ultraviolet is present in all 13 shapes of lightSource when the shapes are active.
The third component is a higher harmonic of gold, which, although on a much higher vibrational plane, is in resonance with physical gold (it is depicted by the halos around the heads of saints). It enhances wisdom and prosperity in a broad sense. On the physical level, it has an energising effect that balances the body's immune system.

The higher harmonic of gold is present in all 13 shapes of lightSource when the shapes are active.
(For more information on Bio-Geometry, please visit their website.)

The Final Element …You!
You are the unexpected magical element –the creative alchemist, mixing geometries, palettes and sound with the surprising and ever revealing artistry of your own consciousness. By trusting the “hidden reserves” of your own mind, emotions and soul to creatively guide your experience here, you will receive that which is uniquely appropriate for you at any given time.

Applications of lightSource

  • Catalyst for creativity in any medium. One that evokes an unlimited array of dynamic interactions in the realm of movement, color, shape and sound.
  • Balancing your environment Many anecdotal reports indicate that there is a feeing of more balanced energies within the environment when lightSource is playing
  • Kinetic art displayed on an interactive canvas to esthetically enliven our techno environments.
  • De-Stressing Tool When used as a simple meditation tool, lightSource can lower stress within the viewer within minutes of encountering the program
  • Engaging screensaver that channels the pulse of Creation to enhance the energy and tone of any environment.
  • Multi sensory explorations of the origins of manifest reality.
  • Shifting your personal frequency to create the reality you desire.
  • Vehicle for the kinesthetic experience of sound, music, pattern and color.
  • Transformational tool, for meditation offering a bridge by which the mind can achieve its highest level in the realm of pure Intelligence.


How to Use the Sacred Geometries with Meditation

Once you have learned the basic process of systematically relaxing and energizing your body, mind and emotions you are ready to begin doing specific meditations on the thirteen sacred geometric forms in lightSource.

1. Read all of the thumbnail descriptions and view all thirteen geometries.
-- See which of them appeal most to you.

2. Choose what geometry to focus on:
-- A single geometry (for your first time we suggest the first of the series: Torus, due to its power to center and focus one’s consciousness.)
-- A series of geometries either programmed or in a random sequence.

3. Choose what music to use:
-- Any Monroe Institute Hemi-Sync track would be perfect
-- Classical music such as Vivaldi, Mozart or Bach
-- A recording of singing Tibetan quartz bowls or bells
-- Recorded nature sounds
-- Shamanic drumming and/or chanting
-- Any instrumental track

You’ll be amazed at how the animated geometries seem to magically synchronize with absolutely any type of music. Have fun, experiment and try all your favorites. And remember…if you want to maximize the effects, breathe through the forms as you watch them.
Crystalline Language


If you really want to get into the spirituality and personal growth aspect of sacred geometry, it is recommended to meditate on the geometric structure of crystals. David Tame, in his fascinating book The Secret Power of Music, (Destiny Books, 1984) says the following: "On the subject of crystals, modern esotericists have often recommended crystals, pictures of crystals, and models of the molecular structure of crystals as a subject for meditation. Contemplation upon their geometry is said to provide a route by which the consciousness of man can attune itself to the various qualities of the Consciousness of the Supreme."

Here is a related and rather challenging exercise. It is a message from the Ascended Lady Master Leto through the messenger Elizabeth Clare Prophet, April 15, 1976, found on an audio tape (#B7629). "You have been told .... to meditate upon the crystal and its structure. Now I ask you ... to select images of crystals and then to diagram the molecular structure of crystals and to begin to memorize these structures and to endow them with flame, and to realize that your altar is a place of change .... And therefore consider that the crystal, especially of rare gems and their molecular structure - and I meditate now with you upon the structure of the emerald - is a means of contacting the plane of Spirit. For these emanations of the mind of God manifest in matter are parallel to the energies manifest in Spirit. They are time-space coordinates of the coalescing of energy in infinity.


"If you can therefore meditate upon, and endow your meditation with the flaming fire, this is what will take place: You will trace from effect to cause, to first cause, the very components of creation. And if you will study the treatise on alchemy by beloved Saint Germain, you will find that your visualizations will bring into manifestation elements of the Christ consciousness, abundance, the ability to expand a mandala for the community of the Holy Spirit."

Thomas Morton is speaks widely on understanding and the application of Sacred Geometry. Here, he talks of how, through utilizing sacred geometry, we can create a vortex of energy that acts as our own inner temple. Upon entering that sacred space in meditation, we can access the deep silence, becoming empowered to recognize lower thoughtforms and ascend in consciousness and being. From there, he teaches, we become alchemists, transmuting intent into physical manifestation.

Julia: Just to begin, could you explain for our readers the importance of Sacred Geometry?

Thomas: Most of us who have an interest in Sacred Geometry have a burning desire to understand Creation — to know how everything comes into existence. When we have the desire to understand these things, the path takes us to higher vibrations and frequencies, colors and sounds, as both are one and the same, being but different expression of Energy.

In studying the Sacred Geometry of Creation, we first understand that creation takes place in what is known as "no time and space," and that it then enters into dimensionality through the intra-dimensional doorway known as the Golden Mean Spiral.

Why do we utilize Sacred Geometry? The purest answer is because it creates for us the frequencies of a controlled place of deep silence, the place of The Silent Watcher, that has no beginning or end. The Golden Mean is the doorway to this place known as "no time and space," where we can interact with Creation. It is the sacred doorway to the intuitive, the space to where we once again are God in action.

This sacred space is also an environment of a frequency of great understanding within the universal All That Is. En masse, we are creating a tremendous amount of discordant energy on the planet, and in order to again become the Master Presence that we are, we need to cease participating in the thoughts and feelings that give rise to discord. The closer we become to the Creator, the further we move from the analytical mind, and the more we awaken the intuitive mind.

This is our destination: to unlearn, as the Tibetans state it. To once more allow the intuitive to be the directing force, and allow the outer, or analytical, mind to take a step back into its divine plan of carrying out the intuitive.

So the student uses Sacred Geometry to bring in a controlled space for the purpose of entering into the Great Silence, where we then have a choice of which thoughts and feelings we will participate with. The focus and discipline of Sacred Geometry sustains the silent mind. We go into that space in order to send discordant thoughts and feelings into the Light.

Julia: Could you compare the sacred space within a physical temple to the one we create within? How does the sacred space in the physical temple come into being?

Thomas: If we take it as given that there is energy acting within the pyramids and temples, then we might first want to look to the cause of that energy. Every effect has to have a cause, so where does the energy come from?

The greatest source of energy on the earth is electromagnetic energy, energies of outer Creation that actually surround the planet and reside in what is known as the magnetosphere. In essence, the planet is a giant gyro. A solid core that spins faster than the outer shell creates this electromagnetic energy.

It's important to understand that this energy has the acting energy of the electron, or the intelligent part of the atomic structure.

Seeing this, we can now see that the temples are like antenna to this magnetosphere. They call in a vortex of magnetic energy.

When the electromagnetic energy vortex enters the temple, the electron is split away from the magnetic wave and both are utilized to create three harmonics within the temple itself, and there are in turn three chambers in the Great Pyramid that express these three different frequencies.

The King's Chamber represents the spiritual, and has the quality of Silence, the place of everything that was, is, and will be.

The Queen's Chamber is the mental chamber, where for example you could write an equation one mile long and recall it all.

Finally, the catacombs, or the place of the dead, is the place of alchemy, bringing energy into the physical plane or the third dimension. New plant and animal life, for example, could be created here without disharmony, through this great alchemy of love.

So the Great Pyramid represents these three frequencies of energy and the harmonic creation of new forms of life.

Zero point — the controlled space I talked of earlier — is always present in the Great Pyramid. And we also utilize this controlled space in many of the other temples, like Machu Picchu, that were erected as ascension schools.

The alchemy of creating new forms of life in the ascension temples took place at the time of the solstice, because at the exact moment when the energy switches either from the longest or the shortest day, there is a Zero Point where it was possible to bring these new forms onto the planet harmony with the All That Is.

Likewise, there are three energies or frequencies that are used for creation: Force, Thought (knowing), and Love. In the third dimension, these three aspects of creation are usually experienced as the experience of physicality, mind, and Love. These are the energies that actually surround us in the seen and unseen.
Julia: What about emotional energy?

Thomas: Emotional energy is not noted here because that is simply a combination of feelings and thoughts.

So we can see the representation of Being One with the Universal Creation or All That Is.

But the most important message is that we have a temple within each one of us. All of the great masters have told us of this temple. It is the Temple of the Heart.

All of the great outer ceremonies are simply representational of what we can do and become within. Ascended Master Jesus the Christ said of the miracles he had performed, "All this ye can do, and more." The true work for each of us is within our own temple.
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Julia: How do we create sacred space? How do we apply this in our lives?

Thomas: Sacred space was created before the temples. It is a state of creation itself. We can create sacred space in our own temple. If we pray or meditate in one place regularly, we then create a vortex. By vortex, I mean "spinning energy," whether it is positive or negative. The personal vortex is also a Golden Mean spiral. The spinning of the chakras creates a doorway into no-time and space. If we can create the doorway, then we have access to the Great Silence.

So we utilize Sacred Geometry to create a sacred space from which to ascend to the point of being Love in Action, in the Now. We can express this ascended God presence in the third dimension by applying or being in the Great Silence. We cannot be generating discord and applying Love divine at the same time. We have to be able to sustain the Love in the Now, and extend it out into the dense world of Creation. The same doorway of the Golden Mean is used in this respect also. We become God in Action.

Julia: What tools do we gain within this sacred space for living in the dense or physical world?

Thomas: The ego, or analytical mind, has been taught that it is in charge, and this teaching must be unlearned. Being in the sacred space teaches us to move beyond the analytical mind and into the intuitive mind. We can encounter the intuitive mind only in sacred space, and from there we can learn to identify the analytical mind.

The analytical mind co-creates doubt, fear, and resistance, as well as the patterns that we play through our mind when we are operating out of habituated behavior, on automatic pilot.

Of course, the analytical mind resists entering this sacred space. We have to realize that we will have doubts and fears about the "inner knowing" or truth that we encounter in sacred space. We have to have the faith and courage to stay with the inner knowing, even when we don't see proof of what we experienced and felt.

We will still feel doubt and fear, but once we realize that they come from the lower mind, the analytical mind can know that these instead of participating with these thoughts and feelings, we need to transmute them.

The Akashic Records say that the lower, or carnal, mind sprang forth at a certain point in time. This tells us that it is finite, for only finite things have a beginning. Infinity has no beginning. But finite things also have an end. As well as having a beginning point, the finite mind also has an end point. For this reason, it is much more afraid of us, who are conquering it, than we are afraid of it.

And until the lower mind reaches its end point, it will continue to create as much chaos as possible, for that is how it sustains itself. It gets its energy by stealing ours.

When we generate lower thought and feeling, it goes to the lower collective. This is why we must watch carefully within our minds, standing guard not to participate with doubt. For example, the lower mind will definitely seed doubt about what I'm saying here, for it does not want to be found out. It constantly puts our focus on outer things and illusions.

As a result, we need to actually crave discipline. No matter how much resistance we have to meditating each day or being in the sacred space, we need to apply discipline to every aspect of our lives, including eating and breathing. And we need most of all to stand guard on our consciousness.

So we have to have a plan for meditation, a plan for the expression of the true self.

Julia: How is alchemy used in the sacred space? How can we use this practice in creation?

Thomas: Let's say that we realize the need to meditate and create a sacred space or altar for meditation.

So we do this. And after we accomplish meditation in this place, we have actually changed the energy of that place. We can walk by it and allow ourselves to feel that the energy really has changed.

This is alchemy, the actual change in a physical space caused by spiritual intent.

Alchemy in the mental realms occurs when we seek the silence and transmute our thoughts. So we begin with sacred space and enter into the inner calmness. We then go to work standing guard, transmuting thought and feeing until we reach the Great Silence. And once, through inner work, we have remembered how to reach the Great Silence, we begin to apply this discipline in the Now — in every moment of every day.

When we start to go into deep silence, there will be a feeling of resistance. If we realize that this feeling is a temptation to procrastinate, then we know that this feeling needs to be transmuted.

So, for example, we may remember that we need to make a phone call or feed the dog or balance the checkbook. So we then realize that, of course, all of these things must be done. But right now we are learning not to participate in these thoughts. We are realizing that these thoughts and feelings, which have misled us for so long, are attempting to take us out of the Now. So we stop going along with them.

The best permanent solution I have ever experienced is to be in the great alchemy of lifting up and transmuting these energies, as they seek to intrude, back to their perfect form and color.

So, to sum it up: When we go into this place of silence, the outer/lower mind tries to intrude. But we can identify the thoughtforms of the outer mind and learn to "tag" them when their energy intrudes.

And once we have identified them, we can stop them. For example, we can ask God to take the thoughtform and send it up to the Light. If we do this long enough, this transmutation process will actually become an auto-response to the thought patterns of the outer mind.

If the thoughts are stopped, we can go into a place of true silence. The Light is silent. Peace is silent. We have to move into the silence Now. For there is no other time but Now. We can only be in the silence if we are in the Now. If we are not in the Now, we are out of the silence.

The lower mind is not in charge. It just wants to be. But the analytical mind was actually created for the purpose of carrying out, in physical reality, the commands of the intuitive God Center within each one of us. If we recognize the thought forms and feelings of the lower mind, we have free will and choice. If we don't recognize them, then we have no choice.

This Now, which is within the heart, is the sacred space of the temple within. This is the place at which we can reach Zero Point and create. We can actually command thought through our feeling center and qualify the particles to act. This is the alchemical act of precipitation. From this point, there is no question as to what we are, what we are becoming. We have willed it; it is as certain as knowing who is coming to dinner because we have invited them to dinner. When we create something at this level, we simply expect it to show up in the manifestation plane.

This is important. Expecting what we create to show up is energy brought into manifestation. It is like looking at the thunderclouds and knowing that it will rain. There is no question.

The laws of Alchemy say to "become the accomplished desire," to feel it, to be it. When we become the accomplished desire, and do not participate with doubt and sustain the application, we precipitate the desire.

When we command the desire through being centered, we literally command the particles that compose matter to act. This is alchemy — the transmutation of thought into the material plane.

We will be tempted to believe, through the action of doubt, that the accomplished desire will not show up or manifest — that the process didn't work. But the truth is always that if we don't participate with doubt, fear, or worry, we will experience what we are intending to manifest. There is a delay or response time — it could be seconds, minutes, or days, depending on the amount of knowing that was applied to the manifestation and our level of previous attainment — but it must happen.

The more you apply these universal laws, the quicker things come into manifestation. But we never wait for the manifestation, for this would mean it has not yet happened. No matter what we may think, God within has acted, and it is up to us to hold this knowing.

In this space/time between universal and manifest — before the precipitation — it is important to transmute all permutations of the lower mind, and this means any feelings or thoughts that relate to doubt, fear, or worry.

All lower things, when raised, pass through the violet flame. These thoughts can be eliminated by sending them through the violet flame, transmuting them, and staying in the place with the accomplished desire. The accomplished desire will then manifest.

This is alchemy. It is how it can be used to manifest the Creation in the sacred space in the temple. We are all temples with sacred space. We can all transmute our feelings and create our desires through this application of alchemy.

We can move dimensionally into ascension through this same application. This is the greatest alchemy of all, to ascend. We do not need workshops, or teachers, or temples any more. We need only to remember what we have always known. We enter into this knowing in The Great Silence.

Julia: Do you have any thoughts in closing?

Thomas: Anyone can create and sustain sacred space. We are all equal. You can remember to transmute the outer or lower mind that will seek to intrude. Whatever you need is here through the application of these Universal Laws.

These things of God are here for our use. You must learn to become disciplined to apply them. Our desires will change from wanting what we want to wanting what we need. We will be again in the dance of life.

We are all here to serve. If you know it, that's great. If you do it, that's even better.

For some of us, the ascension process makes us want to run away. For others, we ask what we can do to be of service.

If you are a priest or priestess — someone who understands the Light and Silence — then hold this Love Light of Truth in service so that it is available for those that are moving into this consciousness.



Bibliography
Sacred Geometry Design Sourcebook, by Bruce Rawles (Elysian Publishing, Eagle Point, Oregon. 1997). intent.com A Beginner’s Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art and Science—A Voyage from 1 to 10, by Michael S. Schneider (New York: Harper Collins, 1994).
The Ancient Secret of the Flower of Life: An edited transcript of the Flower of Life Workshop presented live to Mother Earth from 1985 to 1994, Vol. I and Vol. II, by Drunvalo Melchizedek, realized by Live Cherish. (Flagstaff: Light Technology Pub., 2000)
Sedona: Beyond the Vortex: The Ultimate Journey To Your Personal Place of Power, by Richard Danneley Sedona, AZ: The Vortex Society, 1995 )
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MORE SACRED GEOMETRY TO BE MERGED with above material (LOTS OF VIDEOS/ANIMATIONS BELOW)
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.TRIANGLE
Glimpses of Universality

As pointed out by Lawlor in Sacred Geometry, (1982, p.28- 31).

The division of the primordial unity into two is symbolized by the square, and the diagonal. It is the essence of cellular growth and expansion. Doubling
is a motion which makes no reference to anything but itself, and when out of control it causes cancer or explosion. So doubling
requires a form in order to be useful. Marko maintains that the doubling sequence is fundamental to all energy processes.
On the other hand, the Golden Mean spiral would appear to denote the rather different process of cascading
between frequencies, as mentioned earlier. However, Marko shows that there is a relation in his
math between these two energy archetypes which is a numerological transform not
having any parallels in conventional math that I am aware of.But it does
seem to me to be significant.It is clear that the Binary doubling
sequence and the Fibonacci sequence are related
by the following construction called
the Pascal triangle, of
Chinese origins:

1
11
121
1331
14641
1510105


Each number is obtained by adding together the numbers diagonally above. If one adds the rows across, the binary sequence is obtained. If the numbers are added on a diagonal path, the Fibonacci sequence is obtained. (As: 1=1, 1=1, 1+1=2, 1+2=3, 1+3+1=5, 1+4+3=8, 1+5+6+1=13, etc.'

The mood of numerology is to view numbers as geometric forms or process rather than simple quantity, so it is very difficult to see how these ideas could link with our normal scientific notions. Marko contends that the digits 1-9 represent an essential, perfect, and complete system. In reference to the Kabbalah, it is said that the Hebrews thought in terms of twelve, even though they counted in the decimal system. The Chinese thought in powers of two, especially 8 and 64.
>>>full article >>> http://www.angelfire.com/ak5/energy21/rodin.htm

SPIRITVIEW

Sacred Art - Enlightened Awareness
Merkabah

Counter rotating fields - Rotation and Spin
Movement of consciousness between realities

Sacred Geometry Videos from ieioe -------------------------------------------------------------------------------------------------------------------------
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...................................................................................... Sacred Geometry .........................................................................................
MANDALA VIDEOS
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A Series Of Mandala Videos By Dragon2012
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The Life and Death of a Sand Mandala
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Sacred Art - Enlightened Awareness

YouTube -Mandala creation

A SRI YANTRA MANDALA SAND PAINTING
19 sec -www.youtube.com/watch?v=PNCt_HguSow
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Sri Yantra Mandala

Image:SriYantra construct.svg

SRI YANTRA

TheShri YantraorSri ChakraofTripura Sundariis ayantraormandalaformed by nine interlocking triangles surrounding a dot in the cetner called abindu. Four of these triangles are orientated upright representingShivaor the Masculine. Five of these triangles are inverted triangles representShaktior the Feminine. Because it is composed of nine triangles, it is also known as thenavayoni chakra.[1]Together the nine triangles are interlaced in such a way as to form43smaller triangles in a web symbolic of the entire cosmos or a womb symbolic of creation. Together they expressAdvaita-ismornon-duality. This is surrounded by a lotus of 8 petals, a lotus of sixteen petals, and an earthsquare resembling a temple with 4 doors.[1]

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Sacred geometryisgeometryused in the design ofsacred architectureandsacred art. The basic belief is that geometry andmathematicalratios, harmonics and proportion are also found inmusic,light,cosmology. Thisvalue systemis seen as widespread even inprehistory, acultural universalof thehuman condition. It is considered foundational to building sacred structures such astemples,mosques,megaliths,monumentsandchurches; sacred spaces such asaltars,temenoiandtabernacles; meeting places such assacred groves,village greensandholy wellsand the creation of religious art,iconographyand using "divine" proportions. Alternatively, sacred geometry based arts may be ephemeral, such asvisualization,sandpaintingandmedicine wheels.


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